The Collidescope aims to publish writing that is subversive in nature, that is art for art’s sake.
There is a difference between a writer simply telling a story (or telling a story simply) and creating a work of art. We love to see the mental fireworks of a writer wrestling with their imagination, with language itself.
All one has to do is look at what Joyce accomplished. Ulysses alone broke every rule and then some. A century later, many writers are still afraid to step outside of the rules. Luckily, there are a kaleidoscope of other writers who have fearlessly gone wherever language has led them and have produced astounding works, such as Jorge Luis Borges, Angela Carter, David Foster Wallace, Rikki Ducornet, Salman Rushdie, Ngũgĩ wa Thiong’o, Clarice Lispector, Vladimir Nabokov, etc. Such is the kind of writing we live to read.
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George Salis is the author of Sea Above, Sun Below (River Boat Books). His fiction is featured in The Dark, Black Dandy, Zizzle Literary Magazine, The Sunlight Press, Unreal Magazine, and elsewhere. His criticism has appeared in Isacoustic, Atticus Review, and The Tishman Review, and his science article on the mechanics of natural evil was featured in Skeptic. He is currently working on an encyclopedic novel titled Morphological Echoes. He has taught in Bulgaria, China, and Poland. Find him on Facebook, Goodreads, and at www.GeorgeSalis.com.
Nicole Melchionda is a poet and essayist whose work has appeared in various journals, such as Abyss & Apex, Helios Quarterly Magazine, and Brindle & Glass. Her work has been nominated for the WSFA Small Press Award and the 2018 Best of the Net Anthology. Visit her website here.