“When You’re A Star, They Let You Do It” To Trump; Or, President Vagina T. Fireball’s Executive Order

Ms. [E. Jean] Carroll was laughing at first as she described an encounter she said she had just had in a Bergdorf’s dressing room with Donald J. Trump that began as cheeky banter. But what she was saying didn’t strike Ms. [Lisa] Birnbach as funny. ‘I remember her being very overwrought,’ Ms. Birnbach said in an interview. ‘I remember her repeatedly saying, ‘He pulled down my tights, he pulled down my tights.’’ When Ms. Carroll finished her account, Ms. Birnbach said, ‘I think he raped you.’ . . . Her [Carroll’s] home, which she shares with a cat named Vagina T. Fireball, is a small cottage painted with black and white stripes, with polka dots on the chimney. —Jessica Bennett, Megan Twohey, and Alexander Alter, “Why E. Jean Carroll, ‘the Anti-Victim,’ Spoke Up About Trump, New York Times, June 27, 2019,  https://www.nytimes.com/2019/06/27/us/politics/jean-carroll-trump-sexual-assault.html


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The Lizard’s Tail by Luisa Valenzuela

About Luisa Valenzuela: From the Paris Review: “Luisa Valenzuela, the oldest daughter of a prominent Argentine writer, Luisa Mercedes Levinson, was born in Buenos Aires in 1938. The Levinson home was a gathering place for Argentina’s literary community—Jorge Luis Borges and Julio Cortázar, among others, were frequent guests—and Valenzuela, an omnivorous reader, started writing at an early age. She published her first story, “Ese canto,” in 1958.

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Climatic Exile: An Interview with Erik Martiny

George Salis: You have two new novels out since 2018, The Pleasures of Queueing and Night of the Long Goodbyes. The former novel was published first so technically it is your debut, but which one is your first novel? Also, how do these novels compare and contrast? Are they in conversation with each other or totally disparate?

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Fix

I noticed the symptoms after my last surgeries: gastric E-Zpass, electroshock of my kidneys, gallbladder flush & fill, and liver elasticity test. Dr. Ming Gulah was the surgeon. Even though he is on the FAA ‘No Fly List,’ he came highly recommended. The operating room lost power halfway through my procedure, but I was told they were able to compensate by utilizing two car batteries and a giant hamster wheel, which the intern spun. I was discharged three minutes after the operation. They wheeled me outside to the bus stop with a map pinned to my gown, since I couldn’t talk. I arrived home three weeks later missing my gown, wallet, and cell phone. I felt fine even though I was vomiting blood and my skin was a purplish-green color. For my recovery process, I was given: a bottle of vodka, roll of duct tape, and Vicodin, which was secured under the gurney mattress to avoid theft and misuse.

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Gumball Blue

Gumball Blue

“War,” the little girl says, “is when papa is gone.” If you look out the window, you too might see the horizon line fizzing like a lighted fuse. It began years ago. More and more words were allowed to choose their own meaning, and now we find ourselves surrounded by random fragments of abstruse codes. Don’t you think it’s time for a gumball machine that dispenses eyeballs? Everything else has failed – duty, honor, country. We need to have a conversation, decide on a plan, something, before unfamiliar birds visit us in our sleep, stripping dream bushes of every last berry.

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Old Ephraim: An Excerpt from The Manifold Destiny of Eddie Vegas

The mechanism that relayed the visual majesty of a still panorama of mountain and valley, river and tree line, snow and sun, shadows unseen yet known and darkness invisible where life ate life and thought not, or where desert yielded scrub cactus and range, the living seen still or as the disappearance following on rapid bursts of movement, what relayed these for indescribable sensory bloom inside a man as majesty, this is what Tom Garvin sought with his meditations and was awarded for delineating fecklessly in prose poems.

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Punnery & Nunnery: An Interview with Rick Harsch

Rick Harsch’s new novel, The Manifold Destiny of Eddie Vegas, is now available in a special edition run of 100 signed copies. At over 700 pages, the novel “is in part a story about what empire has wrought, and how over the recent two centuries the United States rose to global economic mastery and nuclear proliferate madhouse. But it is also an absurdist masterpiece and a metafictional epic rooted in American history (including the story of Hugh Glass, his journey along the Salmon River and the epic battle with Old Ephraim, a giant bear), and the impact of that history on our modern society (the movie by DiCaprio notwithstanding).” Order here.

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